I got it!
I made a list of the places in New York where I would be happy to hold a full time job. This was my #1 choice. After three rounds of interviews and a week of hanging in limbo, I got the call. Awesome! More details as I find them out but for now I’m celebrating.
I’m in a show!!! Come check it out!! It’s called “Are You There Zeus? It’s Me, Electra” and is a fun and silly farce based on the Greek tragedy Electra, set to 90s grunge rock. We’ve already had three performances, but have three performances left and I’d love to see you there.

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Since moving to New York, I’ve found the most exhausting aspect of my life is summoning the motivation to pursue my artistic goals. I alone am responsible for gathering auditions and contacts, improving my work, and keeping my creative self alive. It is a huge change from the life I held last year at The Actors Theatre of Louisville where, in the nine months I served as an Acting Apprentice, the majority of my days were structured by our amazing program directors. While at Actors I had much less free time and performed much more grunt labor, but I was in an environment which fostered a safe creative home by cherishing the contributions of each of its members. It felt like four years of college rolled into one, and I emerged with a second family who has become my greatest support network since moving to New York. (Read more…)
A book that can provoke my thoughts and yield unexpected conversations with both friends and strangers is always a welcome addition into my life. This is why I often ask people who interest me what they are reading, or what they would suggest I read. I’m lucky to have a roommate who values books as much as I do, and it was on his suggestion that I recently read (with some reluctance) Ayn Rand’s The Fountainhead.

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I’ve been spending the last month working on this wild play called The Asshole Differential Continues (& we carry on). I’m playing the Leader, a part that I never would thought I’d be cast in, but one which has been a fantastic challenge. We go up this Wednesday through Monday and I’d love to have your support. Fair warning: It’s a weird, challenging, and possibly offensive script. So don’t bring your 5 year old brother unless you want him asking uncomfortable questions after the show, but do bring your slightly off but artistically minded friends and be prepared have a mind-melting experience!
Our writer/director Moira Cutler came up with this great little blurb so please read on if you’re interested! (Read more…)
I stepped on the train and sat down, pulled the paperback out of my coat pocket, and began to read. The shuffle of people was soon lost to me, an extraneous backdrop to the much more real events of my novel. Ah, yes, I remembered where I was, Roark had been threatened and I would turn the page to find his response. I read on. I don’t know when the young woman sat next to me, but it came to my attention that I had attracted her notice as I stretched my neck and she turned away too quickly. She had been reading over my shoulder. The fact did not bother me, but brought an amused smile to my face. I watched her eyes land on another passenger and resumed my reading.
In the days of stage coaches, travel from destination to destination was an investment. One would ride for hours or even days, often sharing the coach with a stranger or two. The duration of the trip encouraged conversation and friend-making, and benches were placed opposite each other, both for economy of space and to accommodate this social need. The practice carried over into the design of early train cars without too much thought, but it soon became apparent that with the reduced travel times and the advent of the commuting worker, the obligation to meet and greet ones traveling companions had changed from an effective way to pass time to an awkward, stressful, an unnecessary social convention.
Enter William Henry Smith. (Read more…)
I think my desk clock is broken. It’s a really nice clock I received for having “consistently demonstrated excellence in acting” by the culmination of my four year stint at Centre. Funny story, I was actually tore up about it when I received it because I didn’t get the award given to the person “judged to have contributed most to the Dramatic Arts Program over a period of four years.” Whatever. Perspective is everything. Now I just want my clock to work. I changed the batteries and it’s still slow. Feels like my acting career.
I did have my call back for the New Georges’ production of Milk this morning, though! (Read more…)
Well, I felt great about the audition today for Milk. I was having fun and the room was super friendly. And apparently I’m not the only one who felt this way because I just got a call from Paul Davis at Calleri Casting, and I’m called back in on Monday morning for round 2. Success!
I mentioned last week that I went to an EPA for New Georges’ upcoming production of Milk in which my fellow apprentice-friend, Anna, has already been cast. Well, I’ve been invited to attend an audition (this time by appointment!) with the director, Jessica Bauman, producer, Susan Bernfield, and playwright, Emily DeVoti. And apparently, it just so happens that Anna will be my reader, which makes my day. I’m super excited. Wish me good thoughts around 10am!
Before I went to college I woke up to an alarm, and it was terrible.
WONK WONK WONK WONK WONK WONK – not my idea of a good start to the morning. But then I was gifted a radio/music alarm and I was able to start my day with music. This was so much better. I think it happened right before I went to college; the details are fuzzy. Funny thing though, I can still remember most of the wake-up songs I’ve listened to over the years. It takes a special song to withstand the day in, day out abuse of being listened to, particularly once further burdened with arousing my morning state of wakefulness. It’s an arduous assignment, so when a winner is found, I’ve tended to stick with it for as long as I can stand it. (Read more…)